She didn’t set out to become fashion’s most-watched accessory editor. But Alexandra Malena Leclerc — art historian, Rhode ambassador, and Charles Leclerc’s wife since February 2026 — has quietly built one of the most intentional designer handbag wardrobes in any paddock, on any grid, at any price point. From the moment eagle-eyed F1 fans first spotted her at race weekends in 2023, it wasn’t just the clothes people noticed. It was the bags.
This is a deep-dive into designer handbags Alexandra has been photographed with — the gala clutches and the everyday grab-and-go’s, the Hermès and the Ferrari collaboration pieces, the sentimental choices and the pure fashion statements. A dozen-plus houses. One very clear point of view.
Who Is Alexandra Malena Leclerc — and Why Her Bags Matter
Born in Italy in 2001 to a French mother and Mexican father, Alexandra studied 20th-century art history at the École du Louvre in Paris before the F1 universe found her — or rather, before fans found her in the background of a Charles Leclerc. Her academic background isn’t incidental to her style. It shows in the choices she makes: bags aren’t just accessories for her, they’re the punctuation in a carefully constructed visual sentence.
She went from under 1,000 Instagram followers to over 4.4 million in a matter of months. Brand collaborations with Rhode, Jacquemus, Max Mara, Alo, and Nina Ricci followed. Editorial features in Vogue Singapore, ELLE Mexico, and People gave her the fashion credentials to match the F1 paddock attention. By the time she married Charles Leclerc in a private Monaco ceremony and updated her Instagram handle to @alexandramalenaleclerc, the fashion community had already decided: she was the real deal.
What makes her bag choices so interesting is precisely this dual identity — the art scholar and the It girl, the quiet intellectual and the woman who shows up to a race weekend in a Judith Leiber butterfly minaudière. Her bags sit at the intersection of those two selves.
Photo Credit: Alexandra Leclerc Style (@alexmalstmleuxstyle).
Hermès
Hermès occupies a very specific place within Alexandra Malena Leclerc’s bag collection: it is the house she turns to when she wants the image to feel instantly elevated, but never overworked. In her lineup, the Hermès language appears through some of the maison’s most recognisable forms: the Birkin, the Kelly.
The vivid green Birkin is the boldest of the group, bringing high-impact colour to one of Hermès’ most iconic silhouettes; the pale yellow Kelly feels softer and more refined, with the house’s famously pure, architectural profile; and the white-and-wicker Kelly Picnic introduces a rarer, more seasonal note, translating the Kelly into something lighter, more collectible, and unmistakably summer-coded. Hermès itself describes the Birkin through the clarity of its lines and the character of its leathers, while the Kelly is framed as a bag of “pure aesthetic” and “radical lines,” available across multiple sizes and expressions.
What makes the Hermès selection in Alexandra Malena Leclerc’s bag collection so compelling is the balance it creates between classicism and variation. The green Birkin reads confident and instantly legible; the yellow Kelly brings a lighter, more delicate elegance; and the Kelly Picnic adds texture and rarity, making the Hermès chapter feel more nuanced than a simple display of icons.
CHANEL
Chanel adds one of the most polished and instantly recognisable notes to Alexandra Malena Leclerc’s bag collection. In her wardrobe, the house appears through three distinct but closely related styles: a black Chanel vanity bag with a structured top-handle silhouette and glossy finish, a metallic silver CHANEL 25 Mini Handbag with a softer, more relaxed shape, and a light pink quilted Chanel small shopping bag with a top handle and chain detail.
Together, these three bags show how Chanel moves through different moods within her collection—sleek in black, modern in silver, and feminine in pink—while remaining tied to the same visual codes of quilting, compact proportions, and refined, immediately legible design.
Saint Laurent
Saint Laurent features repeatedly throughout Alexandra Malena Leclerc’s bag collection. The brand appears in several distinct moods, yet always with the same underlying appeal: sleek lines, recognisable hardware, and a kind of controlled sensuality that suits her image perfectly.
The most striking repeat is the Le 5 à 7, shown both in leopard pony hair and in a deep wine-red patent finish. In leopard, it introduces a sharper, more feline energy to her bag wardrobe; in patent burgundy, the same silhouette becomes glossier, more polished, and unmistakably evening-driven.
Alongside it, Alexandra also carries the Gaby Vanity bag in a soft ivory/cream quilted finish, a compact top-handle style that brings a cleaner, more refined note to the lineup.
Price – $2300 / Shop
Then there is the large raffia Icare tote, which shifts the brand into a warm-weather, holiday register without breaking the luxury narrative. In the context of Alexandra Malena Leclerc’s Bags Collection, Saint Laurent is not just another label in rotation; it is one of the brands that defines her visual identity most clearly, balancing Parisian sharpness with modern femininity.
Dior
Dior appears in Alexandra Malena Leclerc’s bag collection through one of the house’s most recognisable signatures: the Lady Dior. In her wardrobe, the style is shown in a soft sage green finish, bringing a calmer, more understated variation to a bag that is usually read as highly formal.
With its structured silhouette, rounded top handles, metallic charms, and unmistakable Dior identity, the Lady Dior adds a polished, classic note to her collection without feeling overly rigid. It is a bag that works especially well within her broader mix of compact, feminine, and highly legible luxury styles, and in this muted green tone, it feels elegant, fresh, and quietly refined.
Bottega Veneta
Bottega Veneta adds a softer, more understated dimension to Alexandra Malena Leclerc’s bag collection. In her wardrobe, the house appears through pieces that rely less on overt hardware and more on shape, texture, and material finish: the light blue Jodie, with its signature knotted handle and supple intrecciato construction, brings a fresh, easy elegance to the lineup, while the yellow woven pouch-style clutch introduces a more tactile, summer-facing note.
Compared with the sharper structure of Chanel or Hermès, Bottega Veneta reads more fluid and instinctive in her collection—still highly recognisable, but quieter, softer, and more dependent on craftsmanship and silhouette than on logos or rigid form.
PRADA
Prada appears more selectively in Alexandra Malena Leclerc’s bag collection, but it introduces a distinctly different mood from the other houses in her wardrobe. The key piece is the black Prada Re-Edition 2005 shoulder bag, a revived mini-hobo silhouette that Prada describes as inspired by its 2005 archival design and finished with the brand’s signature triangle logo.
Depending on the version, the model appears in Re-Nylon, Saffiano leather, or other seasonal materials, but the visual identity remains the same: compact, curved, pared back, and unmistakably early-2000s in spirit.
Jacquemus
Jacquemus adds a sharper, more directional note to Alexandra Malena Leclerc’s bag collection through the black Le Valérie. The style appears as a structured top-handle silhouette with a folded body and a small gold clasp at the center, giving it a cleaner, more sculptural presence than many of the softer bags in her wardrobe.
Jacquemus describes The Valérie as a folded leather bag made in Italy, while retail listings for the medium version note details such as calf leather construction, lamb-leather lining, a magnetic fastening, top handle, detachable adjustable strap, and protective feet.
JW PEI
JW PEI introduces the most playful, overtly decorative edge in Alexandra Malena Leclerc’s bag collection. Unlike the more classic or structured brands in her wardrobe, JW PEI appears through conversation-piece evening bags that lean into shape, colour, and sparkle: the Paisley Crystal Butterfly Clutch in blue and multicolor, and the Maren Artificial Crystal Heart Shaped Bag in red.
On JW PEI’s official site, the butterfly clutch is described as a crystal-embellished, butterfly-shaped design with a compact interior, while the Maren heart bag is listed as a small shoulder or crossbody style made from PC and artificial crystal with a fixed strap.
Ferrari
Ferrari gives Alexandra Malena Leclerc’s bag collection its most motorsport-coded edge. In her lineup, the house appears through several sharply defined pieces that borrow directly from Maranello’s design language: the streamlined Ferrari GT brushed leather clutch, the compact Dino mini bowling bag in a deep red-burgundy tone, the bright red crossbody bag with smooth leather 3D motifs, and the sculptural Maranello Clutch, a car-shaped minaudière inspired by Ferrari bodywork and produced through the brand’s made-to-order program.
Ferrari’s own materials describe the GT bag family as built around bold lines, strong profiles, and the visual codes of Gran Turismo cars, while the Dino line is explicitly linked to the curves of the legendary 246; together, these bags bring a more graphic, engineered, and brand-specific attitude to Alexandra’s collection than any other label in her wardrobe.
Le Silla
Le Silla brings a sharper, more fashion-forward animalier note to Alexandra Malena Leclerc’s bag collection through the Jagger Small Bag in cow-print pony hair. The style stands out for its compact top-handle silhouette, graphic brown-and-white pattern, and tactile finish, giving it a bolder, more directional presence than the smoother leather bags elsewhere in her wardrobe.
Le Silla describes the Jagger Small Bag as a sculptural accessory crafted in pony hair with a striking leopard print and finished with a structured shape that immediately catches the eye.
PARIS/64
PARIS/64 adds a quieter, more artisanal note to Alexandra Malena Leclerc’s bag collection. In her wardrobe, the brand appears through a warm cognac vanity-style top-handle bag with woven leather panels and a zip-around structure, a piece that feels more tactile and retro-leaning than the sharper, logo-led bags elsewhere in her lineup.
PARIS/64 describes its handbags as 100% made in Spain, handcrafted from high-quality leathers with a distinctly Parisian vintage spirit, and that positioning fits this bag especially well: it reads compact, polished, and feminine, but also textural and slightly nostalgic.
Amina Muaddi
Amina Muaddi brings a more overtly evening-facing glamour to Alexandra Malena Leclerc’s bag collection through the Camelia clutch in blush satin. Defined by its softly gathered body and signature crystal buckle, the Camelia Clutch feels smoother and more sculptural than the sharper mini bags elsewhere in her wardrobe, with the satin finish giving it a distinctly formal, red-carpet mood. Camelia as a handmade bag made in Italy, finished with a magnetic closure and the house’s signature buckle detail, and that description matches exactly what this piece contributes to Alexandra’s collection: a softer, more romantic kind of statement, built around sheen, jewellery-like hardware, and refined evening polish rather than rigid structure or overt logos.
Anne Fontaine
Anne Fontaine adds a more decorative, couture-leaning note to Alexandra Malena Leclerc’s bag collection through the house’s Scarlett family of floral handbags. The brand appears here in two distinct expressions: a black floral top-handle style, which aligns closely with Anne Fontaine’s signature Scarlett line built around hand-molded leather flower detailing and sculptural top handles, and a red floral mini version, which closely resembles the Scarlett Mini in ruby patent leather, described by the house as a structured mini bag finished with a hand-molded flower and detachable chain.
Jimmy Choo
Jimmy Choo adds a more explicitly evening-led, occasion-driven glamour to Alexandra Malena Leclerc’s bag collection through the Bon Bon. In her wardrobe, the house appears via a gold Bon Bon bucket bag with a metallic finish and a sculptural floral top handle, a version that pushes the brand’s signature drawstring silhouette into more decorative territory. Jimmy Choo describes the Bon Bon as one of its defining bucket-bag shapes, built around a compact pouch body, drawstring closure, and statement top handle.
Dolce & Gabbana
Dolce & Gabbana adds a more overtly Sicilian, ornamented note to Alexandra Malena Leclerc’s bag collection through this structured black top-handle bag. Defined by its sharp trapeze-like silhouette and the jeweled heart-shaped DG emblem at the center, the piece feels more decorative and romantic than many of the cleaner bags in her wardrobe.
Self-Portrait
Self-Portrait introduces a more polished, occasion-led femininity into Alexandra Malena Leclerc’s bag collection. The brand appears through two very different but equally statement-driven designs: a gold crystal bow mini bag, which leans fully into evening glamour with its rigid jewel-box structure and embellished bow detail, and a black elongated top-handle bag with a sleek, architectural silhouette that feels far cleaner and more modern.
Together, these two bags show the range Self-Portrait brings to her wardrobe—on one side overt sparkle and cocktail-hour drama, on the other a sharper, more minimal evening line.
David’s Bridal
David’s Bridal brings a more overtly party-focused, event-ready sparkle into Alexandra Malena Leclerc’s bag collection through this gold bow clutch. Unlike the sharper minimalism of some of the other bags in her wardrobe, this piece is intentionally decorative: metallic, softly structured, and dominated by an oversized bow that turns the bag into the focal point rather than a supporting accessory.
Cult Gaia
Cult Gaia introduces a more sculptural, gallery-like direction into Alexandra Malena Leclerc’s bag collection. This black clutch stands apart through its organic silhouette and near-object quality: smooth, elongated, and deliberately minimal, with no visible excess detailing competing with the shape itself. In the context of her wardrobe, it reads as a piece chosen for form as much as function—quietly dramatic, modern, and far more design-led than a classic evening minaudière.
